Zhang Ji, Screenwriter of American Dreams in China, Shares His Creative Journey: Dreams, Opportunities, and Growth
At the Outdoor Cinema of the 15th Beijing International Film Festival (BJIFF), Zhang Ji, screenwriter of American Dreams in China and Beijing Film Market Art Director, shared the story behind the film. This work, which won him Best Screenplay at the 4th BJIFF, was an important starting point in his career.
Post-screening Dialogue for American Dreams in China
Zhang Ji recalled the scene when he first met director Peter Chan, feeling nervous and excited. He said, “At that time, I was an unknown screenwriter and didn't even have the right to be credited, but director Peter Chan boldly hired me and gave me the opportunity to realize my dream.” Zhang Ji was a fan of Peter Chan when he was young and was deeply touched after watching Comrades: Almost a Love Story in a video hall. In 2012, Peter Chan was looking for a screenwriter for a mainland-themed movie. Zhang Ji and his writing partner were given a chance at the very last moment. “It was my first time meeting a famous director. I was too nervous to sleep the night before,” said Zhang Ji. After meeting and talking, they were unexpectedly invited to submit an outline via text message - the excitement and sense of joy were beyond comparation.
Post-screening Dialogue for American Dreams in China
During the creative process, Zhang Ji devoted himself wholeheartedly. “When writing Partners, I was like a piece of coal, burning every day, and thinking about the plots even when I was sleeping.” He and Peter Chan had a tacit understanding in the selection of music. Although there were many difficulties due to copyright issues, they still found suitable music for the movie. He also mentioned, “When writing scripts, I usually write at home because I write realistic themes. When writing emotional passages such as separation, life and death, I listen to a lot of music. Music can help me break out of my overly rational shell.”
Zhang Ji
After joining the crew, Zhang Ji felt the professionalism and rigor of film production. He saw photographer Christopher Doyle carrying the camera himself to pursue a “breathing feeling”, and also saw everyone on the set working hard. “In this crew, I saw everyone running and everyone was very serious.” Zhang Ji said that this experience made him a true filmmaker. During filming, Peter Chan was often moved to tears by the plot. Zhang Ji believes that “only when the creators move themselves first can they move the audience.”
Post-screening Dialogue for American Dreams in China
The audience asked questions actively, inquiring about the relationship between music and creation. Zhang Ji shared that music now plays a functional role in his creative process. When writing emotional scenes, it helps him, especially late at night, to break free from rational constraints and express feelings more directly.
On this wonderful night, everyone brought their love for movies and left unforgettable memories together. We also look forward to Zhang Ji creating more excellent works in the future.
