Director：Kaori Oda｜Bosnia and Herzegovina｜2015

Set against the backdrop of a train journey from Sarajevo to Zagreb, the film employs montage techniques to interweave the train's interior with shifting light and shadows outside its windows, revealing subtle, fragmented connections between daylight, the locomotive, the camera, luminous textures, ambient sound, and memory. The windows transform into a singular cinematic screen—a lens and focal point mediating between subject and object, observer and observed, action and passivity—as if guiding viewers back to the primal essence of memory.